Minari

Minari

Synopsis

A tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to a tiny Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home.

  • International Title:Minari
  • Distributed in:Argentina, Bolivia, Brasil, Chile, Colombia, México, Perú
  • Gender:Emotion
  • Actors:Steven Yeun, Yeri Han, Yuh-jung Youn
  • Director:Lee Isaac Chung
  • Release date: To be confirmed

Characters

  • Steven Yeun: Jacob
  • Yeri Han: Monica
  • Yuh-jung Youn: Soonja
  • Alan S. Kim: David
  • Noel Cho: Anne
  • Will Patton: Paul

Awards and honours

SUNDANCE FILM FESTIVAL 2020

Winner| Grand Jury Prize

Winner| Audience Award

 

GOLDEN GLOBES 2021                                                                                                                                                                                                                       

Winner| Best Picture - Foreign Language

 

OSCARS 2021             

Nominee| Best Picture         

Nominee| Best Director 

Nominee| Best Original

Nominee| Best Actor in a Leading Role - Steven Yeun         

Nominee| Best Actress in a Supporting Role - Youn Yuh-jung

Nominee| Best Original Score  

       

Criticism in media

  • "A staggeringly powerful story of the american dream" IndieWire
  • "A stunningly family portrait universal in tenderness" AP

Diamond recommendation

Amazing performance of Steven Yeun

A movie that makes you think about inmigration and "the american dream"

Official Sites

 @minarimovie         

 @minarimovie

  @minarimovie

Development and Production

“Writing Minari had the feeling of a last-ditch effort, because what I was thinking was: if I could leave behind one story for my daughter to see, what would I want it to be?” Chung says. “I wrote down eighty visual memories from when I was right around my daughter’s age. They ranged from my parents’ heated arguments in Arkansas, to a man who worked for my father dragging a cross around town, to my grandmother burning down half our farm. Looking through them I thought, maybe this is the story I’ve wanted to tell all along.”

“Too often you see people in American films speaking English who would not in their real lives. But I think the more authentically a film depicts the details of how people really live, the more meaningful it is,” he explains. “There’s a dissonance to speaking Korean at home that you can’t get at any other way.”

GALLERY

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